检索结果相关分组
- 吴澄与宋元之际江西地区文学批评的风尚
- 作者：刘明今 来源：阴山学刊 年份：1991 文献类型 ：期刊文章 关键词： 吴澄 江西 文学批评
- 描述：宋元之际,以吴澄为代表的江西地区的文学批评有特殊的风尚。他们肯定宋诗的新变,反对盲目拟古,主张诗要表现真我。这种主变、主今、主我的见解,对当时笼罩整个诗文批评领域的复古思潮,是有力的针砭和批判。这一
- “鸳鸯绣取凭君看，要把金针度与人”：“学案教学”的立足点应
- 作者：周宝广 来源：中学历史教学研究 年份：2012 文献类型 ：期刊文章 关键词： 学生主动参与 学法指导 学案教学 历史学习 学会学习 鸳鸯 金针 现代教学理论
- 描述：重要意义之一是学会学习，而学会学习的主要体现是掌握和运用学习方法。学生能够有意识地运用有效的学习方法，是学习持续发展的重要保证，也是衡量学习水平的重要尺度。而学生学会学习的显著特征是学生能够自己学习。那么学生怎样才能够实现自己学习呢？
- 《明儒学案・师说罗汝芳传》人物考辨
- 作者：赵文会 来源：宁波大学学报(人文科学版) 年份：2013 文献类型 ：期刊文章 关键词： 学术史 黄宗羲 明儒学案 宋明理学 考辨 罗汝芳
- 描述：有学者认为《明儒学案?师说罗汝芳传》中邓先生指邓以
- 「学案」体裁产生的思想背景：从李绂的「陆子学谱」谈起
- 作者：黄进兴 来源：汉学研究 年份：1984 文献类型 ：期刊文章
- 描述： historiography. In this essay, I will try to clarify how Huang's work departs from the older, more traditional styles used by historical analysts. Specifically, the Ming-ju will be examined from the vantage of precendent-in particular, the degree to which it follows the modes of presentation employed by the "intellectual geneaologies" (hsueh-pu or, yuan-yuan lu) and, the extent to which it departs from tradition by transforming content rather than form. For many, the rise of the school of Wang Yang-ming during the sixteenth century signalled not only a revival of the teachings of Lu Hsiang-shan but also rekindled the intense debates of almost forgotten issues previously argued by those who adhered to the school of Chu Hsi and those who held to the theories of Lu Hsiang-shan. From the middle-Ming period onward, however, the conflicts generated by these two schools of thought began to extend well beyond the realm of academic argument. As both Chan Chien and Ku Yen-wu noted, their bickering began to influence such extra-intellectual areas as how the civil-service examinations should be organized. As these conflicts continued to broaden and to deepen, both schools felt impelled to strengthen their philosophical positions and to purify the accounts of their intellectual origins. As such, the construction of an "intellectual geneaology" became a major device used either to undermine the "legitimacy" of the learning of the opposition or to explain how the contending school had, indeed, inherited the transmission of the true Way. Since this sort of approach encouraged a strong sense of faction-spirit, it was only a question of time until it would be deemed biased. And, it was precisely because of the unevenness in evaluating issues exhibited by these compilations that Huang Tsung-hsi felt compelled to compose the "Philosophical Records"--a work at once noteworthy for its ability to bring impartiality and objectivity to historical analysis. Yet, if the "Philosophical Records" is juxtaposed against the "geneaologies" the difference between these two works tends to pale when one realizes that the compositional style employed by both is, essentially, the same. Here, the "Philosophical Records" can hardly be viewed as presenting one with a radical departure from precedent. Rather, Huang's work derives its import from the refreshing non-partisan approach it brings to the analysis of historical issues. Instead of writing intellectual history with a view toward proving various predetermined value-judgments, the "Philosophical Records" uses exposition to explore the multifarious realms that inform "historical reality" in all its variety and fullness.
- 浅谈《明儒学案》的文献选择：以颜均、何心隐、陈九川为例
- 作者：姚文永 来源：运城学院学报 年份：2014 文献类型 ：期刊文章 关键词： 《明儒学案》 文献 黄宗羲
- 描述：而不见.纵然瑕不掩瑜,但这终究是《明儒学案》的不完美之处,这也是我们后人阅读《明儒学案》所应注意的.
- 曲海寻踪——吴地宋元明清几位戏曲家演艺、作品之杂考
- 作者：王染野 来源：苏州科技学院学报(社会科学版) 年份：2006 文献类型 ：期刊文章 关键词： 韫玉 《荆钗记》 《牡丹亭》 金德辉
- 描述：宋末元初,大词人张炎的《山中白云词》中有一题《满江红》,是赠给韫玉的,韫玉是南宋时演员而非传奇;《荆钗记》作者非明代宁献王实乃元代柯丹邱;汤显祖《牡丹亭》原为宜黄戏后由吴门文士移植为昆剧;清代金德辉毁旧谱创新唱腔,做到“唱为角色生色”。