检索结果相关分组
- 试评刘绍棠近年来的小说创作
- 作者：林孙珍 来源：上饶师专学报(社会科学版) 年份：1984 文献类型 ：期刊文章 关键词： 刘绍棠 小说创作 乡土文学 早期作品 艺术风格 中篇小说 短篇小说 高晓声 农村题材 古华
- 描述：的:“写的是古朴的风俗,却永有清新的芬芳,写的是那一块贫穷苦难的乡土,读来却体贴心甜。”他的小说,虽然不敢说有震
- 瓜棚女杰(根据刘绍棠中篇小说《瓜棚柳巷》改编)
- 作者：于力 来源：银幕剧作 年份：1984 文献类型 ：期刊文章
- 描述：瓜棚女杰(根据刘绍棠中篇小说《瓜棚柳巷》改编)
- 要下“幕后功夫”——老记者刘衡一席谈
- 作者：遥远 来源：新闻记者 年份：1984 文献类型 ：期刊文章 关键词： 刘衡 新闻记者 人民日报 自治州 鄂西土家族 采访 新闻报道 采写 恩施市 通讯
- 描述：笑着说:“也许因为我是个女同志吧……我们女的走到哪里就和人家聊家常。你看,我们《人民日报》记者部几个女同志,柏生、金凤、孟晓云和我,都是喜欢写细的……”
- 刘韵远老师对小儿舌面红点的观察经验
- 作者：刘玉英 来源：北京中医杂志 年份：1984 文献类型 ：期刊文章 关键词： 经验总结 恢复期 实践证明 临床实践 内伤疾病 舌面 观察方法 性疾病 小儿 老师
- 描述：宜选择光线充足之处,不宜在暗室或灯光不足的地方进行。最好在饭前进行观察。先令舌体放松,不要用力,使其自然慢慢伸出,与唇相齐或稍突出为度。伸出时间不宜过久,以免促使颜色加深。
- 独创与局限——刘绍棠创作道路得失刍议
- 作者：赖瑞云 来源：当代作家评论 年份：1984 文献类型 ：期刊文章 关键词： 刘绍棠 创作道路 乡土文学 作品 表现手法 反映现实 四十年代 作家 孙犁 中国古典小说
- 描述：似中重演。当近几年文坛出现了某种热衷于外国表现手法乃至民族虚无主义的热烘空气时,刘绍棠《蒲柳人家》式的大量运河篇章,也着实给人们别样清新的气息。然而,人们总也感
- 刘绍周自费办学传播马列主义新思想
- 作者：暂无 来源：地方党史编纂动态 年份：1984 文献类型 ：期刊文章
- 描述：刘绍周自费办学传播马列主义新思想
- 李纪有同志在内蒙古图书馆座谈会上的报告
- 作者：暂无 来源：内蒙古图书馆工作 年份：1984 文献类型 ：期刊文章
- 描述：李纪有同志在内蒙古图书馆座谈会上的报告
- 孙中山研究学会成立 胡绳、刘大年分别担任正副会长
- 作者：杨建业 肖家保 来源：人民日报 年份：1984 文献类型 ：报纸
- 描述：冲及任秘书长。 孙中山研究学会是一个群众性学术团体，由15名理事组成，他们是：马璧、刘大年、李侃、李新、李
- 「学案」体裁产生的思想背景：从李绂的「陆子学谱」谈起
- 作者：黄进兴 来源：汉学研究 年份：1984 文献类型 ：期刊文章
- 描述： historiography. In this essay, I will try to clarify how Huang's work departs from the older, more traditional styles used by historical analysts. Specifically, the Ming-ju will be examined from the vantage of precendent-in particular, the degree to which it follows the modes of presentation employed by the "intellectual geneaologies" (hsueh-pu or, yuan-yuan lu) and, the extent to which it departs from tradition by transforming content rather than form. For many, the rise of the school of Wang Yang-ming during the sixteenth century signalled not only a revival of the teachings of Lu Hsiang-shan but also rekindled the intense debates of almost forgotten issues previously argued by those who adhered to the school of Chu Hsi and those who held to the theories of Lu Hsiang-shan. From the middle-Ming period onward, however, the conflicts generated by these two schools of thought began to extend well beyond the realm of academic argument. As both Chan Chien and Ku Yen-wu noted, their bickering began to influence such extra-intellectual areas as how the civil-service examinations should be organized. As these conflicts continued to broaden and to deepen, both schools felt impelled to strengthen their philosophical positions and to purify the accounts of their intellectual origins. As such, the construction of an "intellectual geneaology" became a major device used either to undermine the "legitimacy" of the learning of the opposition or to explain how the contending school had, indeed, inherited the transmission of the true Way. Since this sort of approach encouraged a strong sense of faction-spirit, it was only a question of time until it would be deemed biased. And, it was precisely because of the unevenness in evaluating issues exhibited by these compilations that Huang Tsung-hsi felt compelled to compose the "Philosophical Records"--a work at once noteworthy for its ability to bring impartiality and objectivity to historical analysis. Yet, if the "Philosophical Records" is juxtaposed against the "geneaologies" the difference between these two works tends to pale when one realizes that the compositional style employed by both is, essentially, the same. Here, the "Philosophical Records" can hardly be viewed as presenting one with a radical departure from precedent. Rather, Huang's work derives its import from the refreshing non-partisan approach it brings to the analysis of historical issues. Instead of writing intellectual history with a view toward proving various predetermined value-judgments, the "Philosophical Records" uses exposition to explore the multifarious realms that inform "historical reality" in all its variety and fullness.