检索结果相关分组
- 如何评价宋初婉约词
- 作者：王友松 来源：中国古代、近代文学研究 年份：1984 文献类型 ：期刊文章 关键词： 婉约词 宋词 晏殊 歌妓 欧阳修 词人 情词 推陈 作家 柳永
- 描述：同努力的结果。而在宋代词坛上,婉约词家是很有生气,很活跃的一支主力军。就其作品数量而言,现存的两万多首词中,百分之九十五以上是婉约词,真正堪称豪放词的作品,廖廖可数。婉约词在整个宋词中占有这么大
- 关于晏殊珠玉词的评价问题
- 作者：李独清 来源：贵阳师院学报(社会科学版) 年份：1984 文献类型 ：期刊文章
- 描述：傲“塞下秋来风景异”那样苍凉雄劲的词,开后世豪放派的先声,但现代流传的词,不过五首;词名足与匹敌的是张先,比晏殊大一岁,晏殊的词,有一百三十余首,张先的词,
- 秦观《淮海词》的思想及艺术成就初探
- 作者：朱淡文 来源：扬州大学学报(人文社会科学版) 年份：1984 文献类型 ：期刊文章 关键词： 秦观 艺术成就 结构艺术 周邦彦 北宋前期 淮海 晏几道 小令 柳永 婉约派
- 描述：变而不失其正,遂令议者不病其变,而转觉有不得不变者。综观北宋词坛,前期已形成两种不同的风格流派。一派以柳永为代表,主要创作慢词,长于铺叙抒情,词风平易晓畅、浅俗婉丽;
- 铅华销尽见天真——浅论《小山词》
- 作者：王玫 来源：厦门大学学报(哲学社会科学版) 年份：1984 文献类型 ：期刊文章 关键词： 小山词 晏几道 情感因素 认识价值 作者 题材 历史意义 古典文学 词话 审美理想
- 描述：历来对晏几道《小山词》的评论甚少,至于专篇论及除了宛敏灏的《二晏及其词》一书而外,几乎就没有其它的有关文章了。纵使二晏并举,也是大晏论多,小晏论少。究其原因或许有二:其一,晏几道的生平事迹难考定
- 晏殊、欧阳修词风的同中之异
- 作者：高梦林 来源：辽宁教育学院学报(社会科学版) 年份：1984 文献类型 ：期刊文章
- 描述：晏殊、欧阳修词风的同中之异
- 肺不张性假肿瘤的发病机理和名称学
- 作者：暂无 来源：国外医学(呼吸系统分册) 年份：1984 文献类型 ：期刊文章
- 描述：肺不张性假肿瘤的发病机理和名称学
- 肺不张性假肿瘤的发病机理及名称学
- 作者：杨洁萍 来源：国际呼吸杂志 年份：1984 文献类型 ：期刊文章 关键词： 肺不张 假肿瘤 肺梗塞 深吸气 包裹性积液 胸膜积液 支气管扩张 发病机理 形成 纤维素
- 描述：肺炎、肺梗塞等在吸收能力减低时,可导致长期的包裹性胸膜积液伴胸膜反应,与纤维素性胸膜炎相似。2.胸膜壁层、脏层以及叶间胸膜的局部的增厚产生继发性胸膜下肺不张。3.随着积液的浓缩,纤维素被析出,形成粘连,而不张性肺组积则部分固定于增厚的胸膜上,4.接着发生收缩,使肺不张加剧,并通过一定的牵拉作用使支气管及血管向病变移位,尤以在病变下缘明显,部分由于此区域血管及支气管的特殊分布,部分则由于卷入无气的肺组织所致。但在病变的上缘可见血管及支气管向病变方向移位,呈“葱皮状”排列。5。经过继续收缩及粘连,不张的肺组织可卷入,且包裹性积液亦被包入;裂隙形成血管与支气管的变形以及支气管扩张均可发生。6.
- 金陵怀古词的绝唱--读王安石《桂枝香·金陵怀古》
- 作者：郭凌 来源：文史知识 年份：1984 文献类型 ：期刊文章
- 描述：金陵怀古词的绝唱--读王安石《桂枝香·金陵怀古》
- 「学案」体裁产生的思想背景：从李绂的「陆子学谱」谈起
- 作者：黄进兴 来源：汉学研究 年份：1984 文献类型 ：期刊文章
- 描述： historiography. In this essay, I will try to clarify how Huang's work departs from the older, more traditional styles used by historical analysts. Specifically, the Ming-ju will be examined from the vantage of precendent-in particular, the degree to which it follows the modes of presentation employed by the "intellectual geneaologies" (hsueh-pu or, yuan-yuan lu) and, the extent to which it departs from tradition by transforming content rather than form. For many, the rise of the school of Wang Yang-ming during the sixteenth century signalled not only a revival of the teachings of Lu Hsiang-shan but also rekindled the intense debates of almost forgotten issues previously argued by those who adhered to the school of Chu Hsi and those who held to the theories of Lu Hsiang-shan. From the middle-Ming period onward, however, the conflicts generated by these two schools of thought began to extend well beyond the realm of academic argument. As both Chan Chien and Ku Yen-wu noted, their bickering began to influence such extra-intellectual areas as how the civil-service examinations should be organized. As these conflicts continued to broaden and to deepen, both schools felt impelled to strengthen their philosophical positions and to purify the accounts of their intellectual origins. As such, the construction of an "intellectual geneaology" became a major device used either to undermine the "legitimacy" of the learning of the opposition or to explain how the contending school had, indeed, inherited the transmission of the true Way. Since this sort of approach encouraged a strong sense of faction-spirit, it was only a question of time until it would be deemed biased. And, it was precisely because of the unevenness in evaluating issues exhibited by these compilations that Huang Tsung-hsi felt compelled to compose the "Philosophical Records"--a work at once noteworthy for its ability to bring impartiality and objectivity to historical analysis. Yet, if the "Philosophical Records" is juxtaposed against the "geneaologies" the difference between these two works tends to pale when one realizes that the compositional style employed by both is, essentially, the same. Here, the "Philosophical Records" can hardly be viewed as presenting one with a radical departure from precedent. Rather, Huang's work derives its import from the refreshing non-partisan approach it brings to the analysis of historical issues. Instead of writing intellectual history with a view toward proving various predetermined value-judgments, the "Philosophical Records" uses exposition to explore the multifarious realms that inform "historical reality" in all its variety and fullness.