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- 「学案」体裁产生的思想背景：从李绂的「陆子学谱」谈起
- 作者：黄进兴 来源：汉学研究 年份：1984 文献类型 ：期刊文章
- 描述： historiography. In this essay, I will try to clarify how Huang's work departs from the older, more traditional styles used by historical analysts. Specifically, the Ming-ju will be examined from the vantage of precendent-in particular, the degree to which it follows the modes of presentation employed by the "intellectual geneaologies" (hsueh-pu or, yuan-yuan lu) and, the extent to which it departs from tradition by transforming content rather than form. For many, the rise of the school of Wang Yang-ming during the sixteenth century signalled not only a revival of the teachings of Lu Hsiang-shan but also rekindled the intense debates of almost forgotten issues previously argued by those who adhered to the school of Chu Hsi and those who held to the theories of Lu Hsiang-shan. From the middle-Ming period onward, however, the conflicts generated by these two schools of thought began to extend well beyond the realm of academic argument. As both Chan Chien and Ku Yen-wu noted, their bickering began to influence such extra-intellectual areas as how the civil-service examinations should be organized. As these conflicts continued to broaden and to deepen, both schools felt impelled to strengthen their philosophical positions and to purify the accounts of their intellectual origins. As such, the construction of an "intellectual geneaology" became a major device used either to undermine the "legitimacy" of the learning of the opposition or to explain how the contending school had, indeed, inherited the transmission of the true Way. Since this sort of approach encouraged a strong sense of faction-spirit, it was only a question of time until it would be deemed biased. And, it was precisely because of the unevenness in evaluating issues exhibited by these compilations that Huang Tsung-hsi felt compelled to compose the "Philosophical Records"--a work at once noteworthy for its ability to bring impartiality and objectivity to historical analysis. Yet, if the "Philosophical Records" is juxtaposed against the "geneaologies" the difference between these two works tends to pale when one realizes that the compositional style employed by both is, essentially, the same. Here, the "Philosophical Records" can hardly be viewed as presenting one with a radical departure from precedent. Rather, Huang's work derives its import from the refreshing non-partisan approach it brings to the analysis of historical issues. Instead of writing intellectual history with a view toward proving various predetermined value-judgments, the "Philosophical Records" uses exposition to explore the multifarious realms that inform "historical reality" in all its variety and fullness.
- 毛西旁： “郡印”应是郡印”
- 作者：暂无 来源：文献 年份：1997 文献类型 ：期刊文章
- 描述：毛西旁： “郡印”应是郡印”
- 新版《牡丹亭》戏装数码印
- 作者：王剑虹 来源：新民晚报美国版 年份：2012 文献类型 ：报纸
- 描述： 张军“史依弘身穿新戏服亮相 本报记者 胡晓芒 摄 本报讯（记者王剑虹）由史依弘、张军领衔主演的《2012牡丹亭》昨天下午向媒体展示了专为该剧全新设计的服装，虽然样式上与传统戏装并没有太大差别，但服装上的花纹与传统戏装大为不同，全部采用画家管齐骏为这次演出特意绘画的白描牡丹，且放弃了传统
- 陆维钊题印签
- 作者：林乾良 来源：青少年书法 年份：2003 文献类型 ：期刊文章 关键词： 美术学院 浙江大学 周亮工 斋馆名 世界之最 书法篆刻 副教授 平湖 学习 原名
- 描述：中国美术学院已故的陆维钊教授(1899-1980年),原名子平,字东武,又字微昭,晚署劭翁,浙江平湖人。笔者于1951年在浙江大学求学时就认识陆师。至于向他老人家学习书画篆刻,那则是20年以后的事了。
- 漫话古代烙马印
- 作者：凌士欣 来源：美术向导 年份：1998 文献类型 ：期刊文章 关键词： 《吕氏春秋》 大面积灼伤 无边框 民国初年 《周礼 战国时期 春秋战国 艺术感染力 官印 史不绝书
- 描述：漫话古代烙马印凌士欣烙马印是指我国古代在马上烫出印迹的火印。“马者，甲兵之本，国之大用，安宁则以别尊卑之序，有变则以济远近之难”（《后汉书·马援传》）。我国迟至周代，马政已具有一定规模，“校人掌王马
- “郡印”应是“郡卬”
- 作者：毛西旁 来源：文献 年份：1997 文献类型 ：期刊文章 关键词： 全宋诗 全唐诗 嘉陵江 七律诗 古籍出版 大学出版社 扬州诗局 说文解字 中华书局 点校
- 描述：当"郡望"讲的"郡印"不是一般辞书上所说的"郡
- 印海拾贝：黄永年
- 作者：朱琪 来源：书法 年份：2012 文献类型 ：期刊文章 关键词： 版本目录学家 古籍整理 陕西师范大学 江苏江阴 学术研究 顾颉刚 黄氏 历史学家 吕思勉 藏书印
- 描述：,是学者篆刻家的典型。十三岁见线装古书上的藏书印而始习篆刻,二十岁师从篆刻家郭枫谷。
- 元明易代之际悲剧人物危素研究
- 作者：吴愫劼 年份：2013 文献类型 ：学位论文 关键词： 危素 思想 贰臣 悲剧
- 描述：建设方面也有独到的见解，由此更丰富了他的思想。危素的家世、求学经历、以及他所接受的教育和接触的人群，都是他在易代之际选择入仕新朝的影响因素。 动乱年代，人们为自己的选择常常从儒家学说中寻找依据，“不事二