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欧、王散文风格之浅议
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作者:洪本健 来源:辽宁大学学报(哲学社会科学版) 年份:1990 文献类型 :期刊文章 关键词: 王安石 墓志铭 欧阳修 高若讷 校理 王二 学士 侬智高 字元 军事
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描述:,称宝臣为“吾僚也,方吾少时,辅我以仁义者”。《祭丁元珍学士文》又称“微吾元珍,我始弗殖”。为同一个好朋友都写了墓志与祭文,这对欧、王二人来说,是少见的。这正好为我们提供了题材与体裁完全相同的作品
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曾巩散文风格探讨
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作者:刘清菊 张丽英 来源:江西广播电视大学学报 年份:2007 文献类型 :期刊文章 关键词: 曾巩散文风格 曾巩散文风格 雍容典雅 雍容典雅 古奥精深 古奥精深
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描述:在中国文学史上列为唐宋八大古文家之一的曾巩是位有突出成就的作家,他以自己的艺术成就,一度显赫于宋代文坛。他师从于欧阳修,又与王安石共事一朝,在文学研究上形成了一套自己的理论与风格。他的散文
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曾巩散文风格浅论
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作者:张西安 来源:武汉教育学院学报(哲学社会科学版) 年份:1993 文献类型 :期刊文章
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描述:曾巩散文风格浅论
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报纸竞争的走向应是风格
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作者:刘鹏 来源:传媒观察 年份:1999 文献类型 :期刊文章 关键词: 报纸风格 报纸特色 报业市场 需要服务 “二八律” 信息资源 周末版 努力争取 目标读者群 社会价值
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描述:报业市场的形成,带动了报纸的繁荣与发展。每家报纸都努力争取更多读者,都希望全方位地占有信息。由此,引发了近几年的扩版热、专刊热、周末版热、晚报热等种种现
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浅析宋诗与唐诗的风格差异
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作者:虞尚元 来源:文学教育(上半月) 年份:2007 文献类型 :期刊文章 关键词: 唐诗 唐宋诗歌 风格差异 黄庭坚 创新发展 宋代诗人 丰腴 苏轼 比较分析 王安石
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描述:唐诗与宋诗,它们本是一脉相承的,从整个诗史来看,宋诗正是唐诗发展的必然结果。但又存在很大差异,宋诗对唐诗并未亦步亦趋,而是在其基础上变革、创新发展起来的。本文用比较分析的方法揭示了唐宋诗歌的差异
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例说诗歌的语言风格
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作者:梁吴芬 来源:考试.高考语文版 年份:2010 文献类型 :期刊文章 关键词: 语言风格 诗歌 《诗薮》 悲哀 胡应麟 七律 夔州 杜甫
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描述:”,“万里悲秋常作客”,
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桂枝香:小议其独特风格
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作者:尼参 来源:中国教研创新导刊 年份:2012 文献类型 :期刊文章 关键词: 王安石 桂枝香 独特风格
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描述:南国桂枝香,犹有高歌者。今人不似古,仍欲念其芳。由此及彼,不觉王安石的一首桂枝香飘然于耳,令笔者再三拜读,方只从前种种如今更有新意,因而从自身的一点逸趣出发小议王安石《桂枝香》的独特风格,以慰心迹。
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「学案」体裁产生的思想背景:从李绂的「陆子学谱」谈起
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作者:黄进兴 来源:汉学研究 年份:1984 文献类型 :期刊文章
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描述: historiography. In this essay, I will try to clarify how Huang's work departs from the older, more traditional styles used by historical analysts. Specifically, the Ming-ju will be examined from the vantage of precendent-in particular, the degree to which it follows the modes of presentation employed by the "intellectual geneaologies" (hsueh-pu or, yuan-yuan lu) and, the extent to which it departs from tradition by transforming content rather than form.
For many, the rise of the school of Wang Yang-ming during the sixteenth century signalled not only a revival of the teachings of Lu Hsiang-shan but also rekindled the intense debates of almost forgotten issues previously argued by those who adhered to the school of Chu Hsi and those who held to the theories of Lu Hsiang-shan. From the middle-Ming period onward, however, the conflicts generated by these two schools of thought began to extend well beyond the realm of academic argument. As both Chan Chien and Ku Yen-wu noted, their bickering began to influence such extra-intellectual areas as how the civil-service examinations should be organized. As these conflicts continued to broaden and to deepen, both schools felt impelled to strengthen their philosophical positions and to purify the accounts of their intellectual origins. As such, the construction of an "intellectual geneaology" became a major device used either to undermine the "legitimacy" of the learning of the opposition or to explain how the contending school had, indeed, inherited the transmission of the true Way.
Since this sort of approach encouraged a strong sense of faction-spirit, it was only a question of time until it would be deemed biased. And, it was precisely because of the unevenness in evaluating issues exhibited by these compilations that Huang Tsung-hsi felt compelled to compose the "Philosophical Records"--a work at once noteworthy for its ability to bring impartiality and objectivity to historical analysis. Yet, if the "Philosophical Records" is juxtaposed against the "geneaologies" the difference between these two works tends to pale when one realizes that the compositional style employed by both is, essentially, the same. Here, the "Philosophical Records" can hardly be viewed as presenting one with a radical departure from precedent. Rather, Huang's work derives its import from the refreshing non-partisan approach it brings to the analysis of historical issues. Instead of writing intellectual history with a view toward proving various predetermined value-judgments, the "Philosophical Records" uses exposition to explore the multifarious realms that inform "historical reality" in all its variety and fullness.
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曾巩记体文风格论
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作者:李美娜 年份:2007 文献类型 :学位论文 关键词: 曾巩 曾巩 散文 散文 艺术风格 艺术风格 政治理想 政治理想 思维方式 思维方式
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描述:以后则蔚为大观,欧、苏、曾、王四大家的出现,更是极大地拓宽了“记”的题材范围,丰富了“记”的内容。内容上,记体文包括了一切记事、记物之文,是古代以应用为主散文中文学性较高的作品。在宋代散文的诸多体裁
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"荆公新学"与王安石散文的风格
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作者:马茂军 来源:华南师范大学学报(社会科学版) 年份:1996 文献类型 :期刊文章 关键词: 王安石 荆公新学 文学观 散文风格
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描述:本文从王安石的思想体系与文学观的关系入手,认为“荆公新学”对王安石的文学观和散文风格产生了极为深刻的影响:形成文学观的功利性、实用性、附庸性,散文的古奥深遂的艺术风貌和拗折劲健的特点。