检索结果相关分组
- 拥抱现实,直面人生-杂文作家刘绍楹作品印象
- 作者：陈先义 来源：杂文界 年份：1990 文献类型 ：期刊文章
- 描述：拥抱现实,直面人生-杂文作家刘绍楹作品印象
- 梦想照进现实——访中国工程院院士刘韵洁
- 作者：韩昊 王继英 龚宪 来源：世界电信 年份：2007 文献类型 ：期刊文章 关键词： 中国工程院院士 中国互联网 台湾地震 通信光缆 国际海底 通讯工具 商业用户 MSN
- 描述：们要感谢把互联网从知识界推向我们普通老百姓生活的刘韵洁院士,他被誉为“中国互联网之父”。有人说,一本好书就是你读了很多遍后,还能沉淀不同的感受,收获不同的喜悦。而对刘韵洁院士的采访,即便对我们有些看似有点儿老生常谈又不可避免的问题,他也总能回答得不乏新意。
- 法律:在理想与现实之间──九届全国人大代表李浩教授访谈录
- 作者：刘志军 来源：中国律师 年份：1998 文献类型 ：期刊文章 关键词： 司法改革 全国人大代表 司法腐败 司法机关 理想与现实 法制建设 法治国家 司法制度 三大改革 律师业务
- 描述：法律:在理想与现实之间──九届全国人大代表李浩教授访谈录
- 从现实功业人生到自我个体人生的转变--谈王安石的诗歌创作
- 作者：马凤兰 来源：青海民族学院学报 年份：2002 文献类型 ：期刊文章 关键词： 王安石 诗歌 风格迥异 根本因素
- 描述：王安石的诗歌创作 ,以罢相为界 ,前后期总体风格显示出极大的差异。文章认为 ,生存状态改变之下的生存意识是导致王安石前后期诗歌风格迥异的最根本因素 ,这也使他完成了由功业理性人生到个体感性人生的转变。
- 大姚铜矿白垩系马头山组砂岩类的地球化学特征及成岩成矿背景分析
- 作者：甘凤伟 方维萱 王训练 韩润生 来源：矿产与地质 年份：2006 文献类型 ：期刊文章 关键词： 砂岩铜矿 成岩成矿 地球化学特征 常量元素 构造背景 地球化学相 大姚 云南
- 描述：分析大姚铜矿砂岩类的常量元素,反映其成岩成矿的构造背景,砂岩铜矿中碎屑岩的常量元素特征主要受物源区控制.大姚砂岩铜矿成矿受氧化-还原环境控制,分析大姚六苴矿床岩石和矿石样品的Fe2+/Fe3+值与铜
- 走近学术生成的社会知识背景——王安石学术渊源考中的一种转向
- 作者：杨天保 徐规 来源：江西社会科学 年份：2005 文献类型 ：期刊文章 关键词： 王安石 王学 学术渊源 交游考 思想互证 知识背景
- 描述：”生成的社会知识背景,当不失为一次有意义的尝试。
- 在新课程背景下用爱心进行创造性教学：记全国模范美术教师李纪文
- 作者：李纪文 来源：新课程学习(下) 年份：2011 文献类型 ：期刊文章 关键词： 性格 情趣 教书育人 师德爱心 揣摩与绘画
- 描述：根据学生自身的特点用不同的教学方法,用爱心对每个学生进行创造性教育与培养,在思考与创作中给学生自由发挥的余地,让学生自己决定画什么,怎么画。在绘画教学活动中,注意培养学生良好的性格与情绪,激励学生主动克服不良习惯。树立好的典型,培养合格加特长,做一个优秀的学生。
- 郑玄〈周书〉、〈豳风〉注的年代学背景－兼论郑宗《周礼》及今
- 作者：暂无 来源：中央研究院历史语言研究所集刊 年份：2010 文献类型 ：期刊文章 关键词： 郑玄 殷历 周初年代学 周礼
- 描述：郑玄〈周书〉、〈豳风〉注的年代学背景－兼论郑宗《周礼》及今
- 「学案」体裁产生的思想背景：从李绂的「陆子学谱」谈起
- 作者：黄进兴 来源：汉学研究 年份：1984 文献类型 ：期刊文章
- 描述： historiography. In this essay, I will try to clarify how Huang's work departs from the older, more traditional styles used by historical analysts. Specifically, the Ming-ju will be examined from the vantage of precendent-in particular, the degree to which it follows the modes of presentation employed by the "intellectual geneaologies" (hsueh-pu or, yuan-yuan lu) and, the extent to which it departs from tradition by transforming content rather than form. For many, the rise of the school of Wang Yang-ming during the sixteenth century signalled not only a revival of the teachings of Lu Hsiang-shan but also rekindled the intense debates of almost forgotten issues previously argued by those who adhered to the school of Chu Hsi and those who held to the theories of Lu Hsiang-shan. From the middle-Ming period onward, however, the conflicts generated by these two schools of thought began to extend well beyond the realm of academic argument. As both Chan Chien and Ku Yen-wu noted, their bickering began to influence such extra-intellectual areas as how the civil-service examinations should be organized. As these conflicts continued to broaden and to deepen, both schools felt impelled to strengthen their philosophical positions and to purify the accounts of their intellectual origins. As such, the construction of an "intellectual geneaology" became a major device used either to undermine the "legitimacy" of the learning of the opposition or to explain how the contending school had, indeed, inherited the transmission of the true Way. Since this sort of approach encouraged a strong sense of faction-spirit, it was only a question of time until it would be deemed biased. And, it was precisely because of the unevenness in evaluating issues exhibited by these compilations that Huang Tsung-hsi felt compelled to compose the "Philosophical Records"--a work at once noteworthy for its ability to bring impartiality and objectivity to historical analysis. Yet, if the "Philosophical Records" is juxtaposed against the "geneaologies" the difference between these two works tends to pale when one realizes that the compositional style employed by both is, essentially, the same. Here, the "Philosophical Records" can hardly be viewed as presenting one with a radical departure from precedent. Rather, Huang's work derives its import from the refreshing non-partisan approach it brings to the analysis of historical issues. Instead of writing intellectual history with a view toward proving various predetermined value-judgments, the "Philosophical Records" uses exposition to explore the multifarious realms that inform "historical reality" in all its variety and fullness.