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传承与鼎新——试论经济全球化背景中的昆剧振兴与发展
作者:林为林  来源:戏文 年份:2005 文献类型 :期刊文章 关键词: 《长生殿》  《紫钗记》  洪升  中国古典戏剧  柔美  《牡丹亭》  汤显祖  昆剧  道白  剧种 
描述:传承与鼎新——试论经济全球化背景中的昆剧振兴与发展
重论汤显祖《牡丹亭》之音律及“汤沈之争”的曲学背景
作者:陈伟娜 刘水云  来源:温州师范学院学报 年份:2005 文献类型 :期刊文章 关键词: 牡丹亭  牡丹亭  汤沈之争  汤沈之争  音律  音律  曲学背景  曲学背景 
描述:《牡丹亭》的音律问题直接引发了明代戏剧史上所谓的“汤、沈之争”。由于忽视对该剧音律的探讨,导致人们对这场争论至今尚无合理的解释。汤显祖在《牡丹亭》的用韵、格律、宫调等方面,既有合理的运用规则,也有随意的破坏成例。“汤沈之争”暴露了明清戏曲家对戏曲音律认识的不足。
从王安石变法的背景和内容中分析其失败的原因
作者:暂无 来源:教学交流 年份:2008 文献类型 :期刊文章
描述:从王安石变法的背景和内容中分析其失败的原因
李觏平土均田思想的现实背景及理论渊源
作者:宋立顺  来源:劳动保障世界(理论版) 年份:2013 文献类型 :期刊文章 关键词: 李觏  平土均田  现实背景  理论渊源 
描述:宋初,不抑兼并的土地政策造成了大官僚、大商人、大地主疯狂的土地兼并之势,社会贫富分化严重,各种矛盾交织错乱,民不聊生。面对这种困局,李觏继承儒家传统的重民及均平思想,以《周礼》中描绘的井田制为模版,针对北宋中期的社会现实,在《平土书》、《富国策》、《周礼致太平论》等著作中系统阐述了其平土均田思想。
江西省临川一中 全力开好通用技术课 提升新课程实施水平
作者:暂无 来源:教育研究与评论:技术教育 年份:2010 文献类型 :期刊文章 关键词: 江西省  江西省  新课程实施  新课程实施  技术课  技术课  在职教师  在职教师  通用  通用  学科带头人  学科带头人  课题负责人  课题负责人  重点中学  重点中学 
描述:、求新”的优良教风,爱生如子。以校为家,孜孜以求,诲人不倦,以高尚的师德、
金元之际的邢州禅宗名僧──兼及当时佛教传播的社会背景
作者:于叆龙  来源:承德民族师专学报 年份:1997 文献类型 :期刊文章 关键词: 刘秉忠  金元之际  佛教传播  耶律楚材  曹洞宗  中国佛教  佛教禅宗  蒙古人  以儒治国  天宁寺 
描述:金元之际的邢州禅宗名僧──兼及当时佛教传播的社会背景
大姚铜矿白垩系马头山组砂岩类的地球化学特征及成岩成矿背景分析
作者:甘凤伟 方维萱 王训练 韩润生  来源:矿产与地质 年份:2006 文献类型 :期刊文章 关键词: 砂岩铜矿  成岩成矿  地球化学特征  常量元素  构造背景  地球化学相  大姚  云南 
描述:分析大姚铜矿砂岩类的常量元素,反映其成岩成矿的构造背景,砂岩铜矿中碎屑岩的常量元素特征主要受物源区控制.大姚砂岩铜矿成矿受氧化-还原环境控制,分析大姚六苴矿床岩石和矿石样品的Fe2+/Fe3+值与铜
走近学术生成的社会知识背景——王安石学术渊源考中的一种转向
作者:杨天保 徐规  来源:江西社会科学 年份:2005 文献类型 :期刊文章 关键词: 王安石  王学  学术渊源  交游考  思想互证  知识背景 
描述:”生成的社会知识背景,当不失为一次有意义的尝试。
郑玄〈周书〉、〈豳风〉注的年代学背景-兼论郑宗《周礼》及今
作者:暂无 来源:中央研究院历史语言研究所集刊 年份:2010 文献类型 :期刊文章 关键词: 郑玄  殷历  周初年代学  周礼 
描述:郑玄〈周书〉、〈豳风〉注的年代学背景-兼论郑宗《周礼》及今
「学案」体裁产生的思想背景:从李绂的「陆子学谱」谈起
作者:黄进兴  来源:汉学研究 年份:1984 文献类型 :期刊文章
描述: historiography. In this essay, I will try to clarify how Huang's work departs from the older, more traditional styles used by historical analysts. Specifically, the Ming-ju will be examined from the vantage of precendent-in particular, the degree to which it follows the modes of presentation employed by the "intellectual geneaologies" (hsueh-pu or, yuan-yuan lu) and, the extent to which it departs from tradition by transforming content rather than form. For many, the rise of the school of Wang Yang-ming during the sixteenth century signalled not only a revival of the teachings of Lu Hsiang-shan but also rekindled the intense debates of almost forgotten issues previously argued by those who adhered to the school of Chu Hsi and those who held to the theories of Lu Hsiang-shan. From the middle-Ming period onward, however, the conflicts generated by these two schools of thought began to extend well beyond the realm of academic argument. As both Chan Chien and Ku Yen-wu noted, their bickering began to influence such extra-intellectual areas as how the civil-service examinations should be organized. As these conflicts continued to broaden and to deepen, both schools felt impelled to strengthen their philosophical positions and to purify the accounts of their intellectual origins. As such, the construction of an "intellectual geneaology" became a major device used either to undermine the "legitimacy" of the learning of the opposition or to explain how the contending school had, indeed, inherited the transmission of the true Way. Since this sort of approach encouraged a strong sense of faction-spirit, it was only a question of time until it would be deemed biased. And, it was precisely because of the unevenness in evaluating issues exhibited by these compilations that Huang Tsung-hsi felt compelled to compose the "Philosophical Records"--a work at once noteworthy for its ability to bring impartiality and objectivity to historical analysis. Yet, if the "Philosophical Records" is juxtaposed against the "geneaologies" the difference between these two works tends to pale when one realizes that the compositional style employed by both is, essentially, the same. Here, the "Philosophical Records" can hardly be viewed as presenting one with a radical departure from precedent. Rather, Huang's work derives its import from the refreshing non-partisan approach it brings to the analysis of historical issues. Instead of writing intellectual history with a view toward proving various predetermined value-judgments, the "Philosophical Records" uses exposition to explore the multifarious realms that inform "historical reality" in all its variety and fullness.